Lots of people surely used the coronavirus pandemic to redefine themselves, make changes in their lives or find new meaning.
This, of course, filters into their working life proven, perhaps, by the various headlines in the last year indicating people changing jobs or simply quitting and looking for something new in their chosen field. Switchfoot apparently picked the latter for their 12th album interrobang, out today, an 11-song record that sounds almost like the debut album of a new band with either flashes of talent that simply needs a bit of direction and focus or misunderstood genius.
Switchfoot indeed makes a complete departure musically with interrobang (stylized in all lowercase as are the song titles) recorded, according to the band, in a burst of pent-up mid-pandemic creativity throughout last year and into 2021. Said singer Jon Foreman, “More than ever, we want our music to be a bridge, reaching out with melody and lyrics to sing an honest song for anyone who’s got ears to hear. interrobang is an album that celebrates the journey, even when the arrival is unsure. interrobang is the sound of joy and pain, faith and doubt against the backdrop of the strangest, most difficult year we’ve ever experienced.”
Switchfoot interrobang Album Review
Mellow and sometimes dreamy, bordering on gloom, interrobang barely contains one song that radiates the high-energy rock that serve as the backdrop of all their other albums. Drew Shirley’s guitar solos take a backseat to Jerome Fontamilla’s synthesizers while Switchfoot embraces a mostly modern, contemporary rock sound similar to The War on Drugs.
The melodic quicker-paced arrangements of “lost cause,” “if I were you,” and “the hard way” stand out above the rest on interrobang. Switchfoot generally includes at least one emotional tugger on their albums, a welcome trend continued on interrobang, but “the bones of us” sounds like a repurposed “I Won’t Let You Go” off 2016’s Where the Light Shines Through and hardly rising to that song’s level. However, “backwards in time” has the inner workings of an eventual classic in both music and lyrics.
The Milky Chance sounding “i need you (to be wrong)” and similarly arranged “fluorescent,” both annoyingly catchy like a Gwen Stefani song, were two of three preview singles released earlier this year that ultimately served as fair warning to expect different. The dominate keyboards for “splinter” come across like an attempt at adding previously untapped depth to an otherwise straight forward indie rock song that results in some psychedelia. Meanwhile, “wolves” takes a deep dive into the musical abyss. A haunting affair using strings to accompany a deadpan melody for a track you may or may not find interesting.
Album opener “beloved” and closer “electricity” ultimately serve as bookends for interrobang neither sounding like Switchfoot but each with a delicate grip on the band’s last 20 years which pretty much sums up the album as a whole.
Switchfoot experiments profusely on interrobang restraining their past sound to mere glimpses before cutting off and dropping in something different. Perceptive ears might also catch a Beatles influence and a few sounds from the 80s. Expect a long sit down for interrobang but for some it may never take root which might explain the question mark (or interrobang) on the album cover, as if to say, “Do you like it?!”
Switchfoot Interrobang Songs:
- lost cause
- if i were you
- the bones of us
- i need you (to be wrong)
- the hard way
9 thoughts on “Album Review: Switchfoot – Interrobang”
I’m not too familiar with Switchfoot’s discography, but your review compelled me to listen to “interroband” and I like it. I’m a huge fan of The War on Drugs, so it would follow I’d like the more melodic sounds of Switchfoot’s new work.
So glad they have a new one. I’ve listened once and enjoyed it, but need lots and lots more listens to form an opinion. I know I am supposed to see them live in October when they open for Needtobreathe!
they are coming here next month but I won’t be able to go. I think second time they have toured together.
I missed the first time so won’t miss this one unless it gets cancelled.
I disliked the album at first . Didn’t like 2 of the 4 singles. I heard the whole album Wednesday night, didnt care for it. Listened to it Friday morning . I liked a couple songs. It’s a grower. Then my opinion changed about 160 degrees. The livestream of the album Friday night was fantastic. The best I have ever heard them. The production is fantastic. I don’t like all the songs but I like the album now. The opener Beloved is fantastic. Best opener I have ever heard from them since Afterlife, which is off their best album to me, Vice Verses. I love, If I Were You, Fluorescent sounded extra great live and I like Lost Cause as well. Wolves is a weird song that with a few listens, becomes a masterpiece for me. Album finishes strong with Electricity.
My first impression was similar to yours. I kept listening and it got better and better. I’m think after putting it away for a bit I’ll enjoy even more. they sure did change things up. thanks for commenting!
Sometimes a slow grower in music is the way too go…sounds like this is one of em… Good writeup and a decent score as well..
I almost used slow grower in the write up. wasn’t sure if outside our blogosphere people would get. lol
Slow grower from here on out then! lol
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